by    in Data

One Size Doesn’t Fit All : How Taco Bell and Chipotle Fans Differ On More Than Just Their Food Choices

“Tell me what you eat, and I’ll tell you who you are,” extremely French guy Jean Brillat-Savarin said. Everyone thought this was clever enough that JBS had an entire subset of cheese named after him. Doc cannot claim the same breadth of vision, but if you tell him what you want in your burrito, he has a good idea of what movies and TV you like.

Seriously.

When you’re craving a fistful of Tex-Mex fast food, do you find yourself thinking “barbacoa” or “XXL Grilled Stuft?” That answer is more revealing than you’d expect. One of the slickest features of Ranker Insights is its ability to cross-reference movie/TV/entertainment affinities with individual brands. When you compare something as simple as the tastes of Taco Bell customers versus those of Chipotle fans, you’re seeing two vastly different fan communities.

For instance, if you’re sitting down to a hearty tray of Crunchwrap Supremes and Beefy Nacho Grillers, Doc is gonna take a wild guess that you saw Rogue One. If there’s one thing we do know, Taco Bell fans love the Star Wars franchise. And Lord of the Rings.  And Batman. Basically, they love Hollywood franchise blockbusters with monster special effects; the very top movie among this crowd is Independence Day. Thirty-one films are linked with an affinity score over 100 percent, meaning that a Taco Bell fan is at least twice as likely to be a fan of that film than the average person.  Of those 31, all but 10 were part of a cinematic franchise. Of those 10, most boast established Hollywood A-listers like Will Ferrell, Steven Spielberg, and Bruce Willis.

What’s happening at Chipotle? For one, its fans aren’t as forthcoming. Taco Bell fans cluster around their favorites in greater volume and concentration. Collectively, Chipotle fans are more muted about their pop culture choices. Whereas Taco Bell had 31 films crossing the 100 percent threshold, for Chipotle, that number is 17. While 67 percent of the Taco Bell favorites are part of franchises, that number is 29 percent for their fast food rival. In fact, if Chipotle fans have a soft spot for anything, it’s for coming-of-age films. The Breakfast Club, Stand By Me, Dead Poets Society, Juno, and Superbad all sprint past the 100 percent threshold. When the person in line in front of you orders a taco bowl with a tender wistfulness suggestive of poignant life lessons from a simpler time, now you know why.

You’ll see a similar enthusiasm gap with comparison to their respective TV choices. Taco Bell fans are, if nothing else, more passionate about their TV than their movies, with 38 shows surpassing the 100 percent affinity mark Chipotle? A mere 22. Taco Bell fans are all about animated shows and sitcoms. Of those 38, 17 were animated and 18 can be defined as sitcoms. Some shows, like The Simpsons and King of the Hill (Taco Bell fans’ top show), counted on both lists. Within those genres, you can see a wide variety ranging from youth programing like Rugrats, Thundercats, Saved by the Bell, and Sabrina the Teenage Witch through the more risqué fare like South Park, Beavis & Butthead, and It’s Always Sunny in Philadelphia.

Over in Chipotleland, things are the same, yet different. There’s a preference for animated content, but A) not nearly as strong and B) the favored shows are different.  Chipotle animation fans have a more off-center sensibility—after South Park (the only common denominator), you’ll find more cerebral meta-cartoons like The Rocky & Bullwinkle Show, Invader Zim and Rocko’s Modern Life. As for comedies, here’s a simple distinction: Taco Bell fans generally enjoy shows that feature a laugh track; Chipotle fans don’t. Chipotle fans have 12 sitcoms at or crossing the 100 percent mark. Only one of them (Roseanne) features a laugh track; the rest are single-camera series with no laugh track and off-center comic sensibilities like Arrested Development, Curb Your Enthusiasm, and Louie. Among the Taco Bell shows, It’s Always Sunny is atypical in this respect; most of the favorites are ‘90s stage-based, laugh track-heavy classics like Seinfeld, Friends, and That ‘70s Show.

Doc isn’t saying that there’s little these groups have in common, however. Among the over 100-plus affinity movies, there are a handful of joint favorites: Independence Day, Fight Club, The Bourne Identity, and The Empire Strikes Back. Not so much with TV. Only two shows, South Park and Parks & Recreation, overlap between the competing groups.

What about music? It’s a similar pattern, but even starker.  Taco Bell fans’ music tastes are the dead center of the classic/alternative rock spectrum: Jimi Hendrix, Pearl Jam, Metallica, Queen, Guns N’ Roses, Stevie Nicks, Green Day.  All that’s missing from that list is a commercial break from your Jack FM sponsors. Once you cross the mini-mall to Chipotle, you’ve entered an alternate universe of hipster musical tastes: KT Tunstall, Mos Def, M.I.A, Sia, Smashing Pumpkins, and Tegan & Sara.

So what does this tell us? The Taco Bell fans are taking up a big spot smack in the center of mainstream pop culture. Their preferences are things that are on everyone’s radar. Chipotle fans favor sleeper hits and cult classics, the stuff you have to find on your own. What else would you expect from customers of a restaurant that requires you to be an active participant in the creation of your meal? The whole point of Chipotle is to create an order to your particular tastes. Clearly, Chipotle customers are used to that challenge, rejecting the one-size-fits-all offerings of box office blockbusters and Nielsen champions in favor of an individually curated sensibility.

What else does this tell us? Chipotle fans are older than their Taco Bell counterparts. After all, curating one’s individual sensibility and taste preferences requires years of experience. The kids at Taco Bell only have enough time to absorb the biggest and the broadest items off the entertainment menu. As they get older—some of them, anyway—those tastes will mature and diversify. Someday, they may find themselves watching an old movie or an offbeat TV show, or maybe even embracing the cosmic uncertainty of the great black bean/pinto bean divide.

Of course, even Doc doesn’t want to make the effort to figure out what’s going in his burrito.  Sometimes, Doc just wants a Supreme and a Mountain Dew and Will Ferrell. That’s when you’ll find him in line at the drive-thru.

by    in Data

ACROSS THE GREAT DIVIDE: What REALLY Separates DC and Marvel Fans

Doc had a great idea; at least he thought so. Working from the same approach as his taxonomy of Batman fans, Doc decided to do another survey, this time on one of the great divides in pop culture: Marvel vs. DC films.

Until you’re confronted with the raw numbers, it’s hard to conceive of the staggering amount of data that Ranker Insights collects. There’s such an abundance of it compiled around these two companies that wrapping anyone’s head around it in one blog post is, well, scientifically speaking, crazy talk. That said, Doc found some evidence to suggest that when it comes to Marvel and DC film fans, we’re looking at two distinctly different animals.

First, consider Marvel fans. Doc looked at movie affinities for a number of films, and if anyone is at the epicenter of the Marvel Cinematic Universe, it’s none other than Robert Downey Jr. Not only do fans of his Iron Man films overlap with several other Marvel audiences (most notably The Avengers), but that fan enthusiasm spills over to his Sherlock Holmes franchise, as well as a few decidedly non-superhero titles, like Kiss Kiss, Bang Bang and Due Date.

Even Marvel fanbases that don’t have a strong actor preference are tilted heavily towards the characters. However, directors don’t factor too heavily into the equation for Marvel fans. You don’t see the Thor fans seeking out Kenneth Branagh’s Henry V or Dead Again, and Marvel fans’ love for director Peyton Reed’s Ant-Man doesn’t extend to films like Yes Man or Down with Love. On the surface, it seems that Marvel Studios’ tendency to push their directors in the direction of the Marvel “house style” standardizes their differences and allows the actors and characters to take center stage.

Marvel fans are also on the younger side of the spectrum, as evidenced by some pretty startling passions. For instance, who’d have guessed the surprisingly strong correlation between fans of Iron Man and fans of Penguins of Madagascar? (Not Doc, that’s for sure.) Maybe it should be no surprise that fans of Spider-Man—who happens to be one of the youngest major superheroes—also have strong connections with other touchstones of teen pop culture, like Harry Potter, The Hunger Games, Divergent and The Fault in Our Stars.

But the common character trait across Marvel fans lists is their pronounced loyalty to the studio itself. Fans of Captain America are also fans of Spider-Man. Fans of the X-Men (whose films, it should be noted, are made by Fox, not Marvel) are also fans of Thor. Despite it not sharing any major characters (yet) with any of Marvel’s other franchises, people who like Marvel movies are big fans of Guardians of the Galaxy. (Left out of the Marvel love fest is The Fantastic Four, who have been ill-served by Fox’s adaptations.) But the sense of brand loyalty you find among Marvel fans couldn’t be stronger.

When you look at DC fans, however, it’s a different story. Within the DC film fan world, Batman is, by far, the hero with the largest following. For those fans, the post-Dark Knight trilogy output is having a tough time getting out from under the long shadow of director Christopher Nolan. For as much as Marvel fans don’t care about directors, DC fans—particularly The Dark Knight trilogy fans—care deeply about their directors. Nolan’s non-Batman films like Inception, The Prestige, and Memento dot the upper reaches of the DC fans’ movie affinities, while Beetlejuice and Edward Scissorhands rank highly for fans of the 1989 Tim Burton-directed Batman.

DC fans are also older than Marvel fans. While there’s some overlap in the non-superhero movies that fans like—Transformers and Lord of the Rings are popular across the board—once you drill down into the DC favorites lists, you start to see some decidedly grown-up titles you simply don’t see on the Marvel lists, like Platoon, American Psycho, and Full Metal Jacket. If you look at the TV affinities of Wonder Woman comics fans, the list seems to have been ripped wholesale from a stray copy of TV Guide from 1978: Baretta, The Love Boat, Quincy, M.E., Starsky & Hutch, The Bionic Woman. Doc ran the top dozen movies for several comic book fanbases, and the DC lists had more than twice as many titles from the 20th century as the Marvel lists.

Doc isn’t surprised by this. After all, the DC superhero movies aim for an older audience than the Marvel output. Christopher Nolan and Zack Snyder like their movies dark and serious, a far cry from the pop and fizz of Marvel filmmakers like Joss Whedon and the Russo brothers. When Superman and Batman fight, it looks like it hurts. When Iron Man and the Hulk fight, it looks like a crazy good time. (Maybe this is a long, roundabout way of confirming something you already suspected might be true. If that’s the case, welcome to data analysis, buddy.)  

Remember how a distinguishing feature of Marvel fans is the consistency with which Marvel movies showed up on their lists? Well, one of the distinguishing features of DC fans is also the consistency with which Marvel movies show up on their lists. DC fans have plenty of love for Marvel product, but that fondness isn’t exactly reciprocated. The Dark Knight is the only DC film that shows up frequently on the Marvel lists. Meanwhile, DC fans readily appreciate Marvel titles, particularly The Avengers and the movies of that group’s constituent characters.

Want an even starker example? The good folks at Warner Bros. will weep to hear it, but for fans of The Dark Knight, on their list of affinities, the recent offering Batman v Superman: Dawn of Justice sits at number 922. 922! That’s the room number of your hotel, not the distance between your best movie and your most recent movie in the eyes of your biggest fans!

Doc is gonna put it as plainly as possible. The fanbase The Dark Knight shares with the fanbase of Dawn of Justice is roughly the same size as the fanbase it shares with:

Chicken Run (2000)

Do the Right Thing (1989)

When Harry Met Sally (1989)

Carrie (1976)

Grandma’s Boy (2006)

Die Another Day (2002)

Grandma’s Boy. That should be a wake-up call to somebody at DC. When Dark Knight fans are considering what movie to watch that night, and it’s a tossup between your most recent Batman movie and Grandma’s Boy? That’s a sign that your cinematic universe could be in trouble.

Interestingly enough, DC does have a crossover success… just not on the big screen. The DC title that’s actually made the most inroads with Marvel comics fans is The CW’s Arrow, which turned up more often than Marvel serials like Daredevil and Agents of S.H.I.E.L.D. Perhaps DC’s film division could take a few notes from its TV team.

For all the distinctions Doc sees between these two fanbases, there is one truth that everybody agrees on: The Fresh Prince of Bel-Air is a damn good show. Look, it’s not like anyone needed massive amounts of data to tell us that lots of people really like a sitcom that’s openly acknowledged as a beloved classic, but it was striking. Across the affinities of movie and comics fans of both companies, no title, in any medium, showed up as consistently as Fresh Prince. (Who knows?  Maybe Will Smith’s presence in Suicide Squad will turn out to be that movie’s ace in the hole.)

See? If Marvel and DC can find some common ground, there’s hope for us all.

by    in Data

Voters Gonna Vote – Has Liberal Hollywood Produced (Half) a Nation of Haters?

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Okay, Doc is going to be up-front about this: Regardless of the outcome, Doc hereby agrees to abide by the certified results of the upcoming presidential election. There, he said it. Anderson Cooper, you can stop calling now.

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But seriously, election season is mana from heaven for data analysis junkies like Doc and his pals. So many polls! So many data points! So many trends and subsets and margins of error!  It’s going to be hard to get back to normal after so many months of high-leverage number crunching.

Doc may just have to hunker down and re-review the Brexit referendum results until the withdrawal tremors subside.

But Doc was curious to see how the Clinton/Trump battle royal was playing out in pop culture. What cultural preferences look to be ascendant, and which might be in decline?  What popular passions are driving the voting blocks inside the U.S.?

As there always are, there were some surprises and some confirmations of conventional wisdom. (It will come as no surprise, for instance, that Trump fans dig Ted Nugent and The Patriot.) But underlying all of these specific preferences and antipathies, the data suggests an unsettling meta-question that, on most days, Doc would prefer not to ask.

Being a man of science, however, he is going to swallow hard, bite the bullet and wonder out loud: Is pop culture really just for liberals/Democrats? Has Hollywood failed the conservative/Republican half of the country?

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Now, Doc has heard AM talk radio hosts voice those sentiments before, but he always assumed that it was just angry right-wing shock jocks demonizing Hollywood for effect. But the numbers from Ranker Insights suggest that there may be something to it.

Let’s start with some basics: Ranker users, by and large, go onto sites like Ranker to voice support for their favorite personalities and cultural products. Most users giving us data are doing so because they like a certain item, pushing it up the respective lists with their votes, and occasionally voting down entries they feel are less deserving.
If you look at Ranker’s correlation data, you’ll see the majority of cross-referenced preferences are positive: If a user likes A, she’ll probably like B, C and maybe D, but probably won’t like Z. But overall, it usually paints an upbeat picture: People like more things than they dislike.

Trump fans? Not so much. Not much at all, actually.

Crunch the numbers and you discover that you’re through the looking glass: They’re more likely to vote against stuff than for it. Of the movies that have a strong enough correlation to Trump fans, 70% of those movies summon an aggregate dislike, rather than support. Look at the music preferences, and 81% of them are more likely to be downvotes than upvotes.

It’s hard to stress just how unusual this is. Hillary’s breakdowns are a lot more typical. For the 95 musical acts and releases that correlate with Hillary fans, 61 of them, or 64% are positive associations.  Among the movies, 52% are positive associations… a lot closer to the norm for Ranker fan categories.

Well, Doc thought to himself, maybe that’s just Trump, who’s notoriously polarizing and liable to elevate the “haters” among his constituents.

Nope.

Doc ran the numbers for a (slightly) less polarizing guy, our last Republican Prez, George W. Bush.  Now even though W. has repeatedly declined to endorse Trump’s Republican candidacy, the pop culture numbers of their fans are comparable: W fans are more likely to dislike a movie (65/35) or musical artist (76/24) than they are to like them.

What about Ronald Reagan?  As our sunniest and most fondly-remembered Republican President—as well as the only one to make the leap to the White House from Hollywood—surely those fans would be better disposed towards pop culture, right?  The numbers are a little better, but still, fans of the Gipper dislike more movies (53/47) and music (61/39) than they actually like at all.

(We also ran numbers for fans of moderate Republican poster boy Paul Ryan, but the sample was small enough that Doc doesn’t feel confident enough to share them. But for the record, they looked a lot like Trump’s.)

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Others on the Democratic/liberal side, on the other hand, reflect the numbers of Clinton fans. Fans of President Obama like more music than they dislike by a 71/29 spread, and like more movies by a 55/45 margin. (President Obama fans also watch enough television for TV to get a cross-tab; they’re more likely to like a given show by a 63/37 breakdown.) Looking at fans of Clinton’s spirited primary rival Bernie Sanders shows that they’re also more likely to like a musical act (64/36) or TV show (67/33) than dislike it; Sanders fans do, however, show their angry maverick side when it comes to movies, which are more likely to be rejected than embraced, by a Trump-like margin of 84/16. (It’s probably too late to turn the tide, but if Trump wants to try and find that elusive common ground with the Bernie voters, he might consider hosting a cross-country series of screenings of Tommy Boy.)

Here’s a few more numbers to round out the picture. Among Ranker users, all current politicians draw negative overall approval numbers. That is to say: Ranker is not a particular haven of Hillary/Bernie fans versus Trump/Bush fans. Of all of the politicians mentioned in this article, only Reagan has an overall net positive approval rating.  Ranker users overall disapprove of Trump (60/40) by virtually the same margin they disapprove of Hillary (57/43). So it’s not like Ranker users have a particular love for Hillary herself. But her fans, like most Ranker users, like more pop culture than they dislike. Not so for Trump and his Republican cohorts.

Finally, the results for Trump/Republicans are true only of fans of the politicians and not fans of the pop culture itself; the relationship isn’t reciprocal

Doc is sorry if that sounds confusing, but here’s what it means.

As noted above, Trump fans are most likely, by far, also to be fans of Ted Nugent. However, when you cross reference with fans of the Motor City Madman himself, the Hollywood/pop culture antipathy vanishes. Turns out, fans of The Nuge like movies, TV shows and music in proportions that look a lot more like Democrats/everyone else than they resemble Trump fans. The same is true for fans of The Patriot: As a group, their preferences are a lot more typical than those of the Trump fans. Basically, it’s the fans of Republican politicians—and only Republican politicians—who are more likely to reject popular culture than they are to embrace it.

As for what this means in a larger cultural sense (and what Washington and/or Hollywood might want to do about it), Doc is a lot less sure of himself. Doc admits, he always considered pop culture to be one of those things that binds us together even when politics pulls us apart.

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But even that may be wishful thinking, as it turns out. All election season, we’ve been told that we’re a divided nation. Maybe Doc shouldn’t have been surprised to see it played out so starkly in Ranker’s data, but there it is. It’s too much to expect us to all like the same movies and music, but Doc thought that everybody at least liked movies and music in general. He can hear the response now, cutting into his train of thought, just like during those debates – “WRONG.”

Either way, Doc encourages you to vote on Nov. 8, both at your designated polling place and on Ranker.com.

by    in Data

Why Batman This Halloween? The Anatomy of a Batman Fan

So it’s Halloween time.  What are you going as?  Wait!  Let Doc take a guess.

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Batman.  Right?

Unless you’ve got a lot of green hair dye lying around, in which case you’re probably going as The Joker. Or Harley Quinn, if you’re into bats. Well, baseball bats.

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See? It was a bat joke. No, a bat joke.

Y’see, the National Retail Federation recently announced its top selling Halloween costumes for 2016 (Doc always wakes up extra early to get to the press conference). And topping the list for “millennials” (the 18 – 34 crowd) is Batman and his bat-ilk. Captain America: Civil War and Deadpool may have outpaced Batman v. Superman: Dawn of Justice and Suicide Squad at the box office, but when it comes time to don a costume themselves, millennials are drawn to Gotham.

Now, a franchise doesn’t just claw its way to the top of the Halloween heap by appealing to just one segment of our media-hungry millennials.  The folks dressing up in Batman costumes include everyone from the person who’s been collecting comics for 20 years (Batman costumes are the #5 on the list for the 35 and over crowd) to the college freshman who just saw Suicide Squad last week.

MOST POPULAR HALLOWEEN COSTUMES FOR MILLENNIALS (National Retail Federation 2016)
1. Batman Character
2. Witch
3. Animal (Cat, Dog, Bunny, etc.)
4. Tie: Marvel Superhero (Deadpool, Spider-Man, etc.) AND DC Superhero (Wonder Woman, Superman)
5. Vampire
6. Video Game Character
7. Slasher Movie Villain (Freddy, Jason, Michael Myers, etc)
8. Pirate
9. Yoda
10. Zombie

So who are these people?  How do we separate the comics fans from the movie fans?  Obviously, there’s going to be some overlap, but thanks to Ranker Insights, it’s not hard to see that we’re talking about some pretty distinct groups.

Here we go. There are two different kinds of Batman fans. First, let’s talk about the movie fans.  On Ranker’s Best Movie Characters of All Time, The Joker ranks as #6 and Batman himself is #11. (Doc guesses Warner Bros was right to give Jack Nicholson top billing over Michael Keaton back in 1989.)  As you’d expect, when you narrow the list to millennials, though, The Joker jumps outright to #1, and Batman uses his utility belt to climb to #7.

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Dig deeper into that data, and you find some stuff that’s surprising, and some less so.  For instance, when fans of Batman as a movie character are cross-listed against Ranker’s list of Best Movies of All Time, the result is a lot of love for Batman movies; they’re 4 or 5 times more likely to be boosters of the Chris Nolan trilogy and the Nicholson/Keaton outing.  Doc was less than stunned by this finding. But if there’s one thing this group loves, it’s epic franchise filmmaking.  After the Batman films, the movies most likely to be admired by movie-Batman fans are Peter Jackson’s Lord of the Rings trilogy, The Godfather parts I and II, and Terminator 2: Judgment Day.  It’s only when you get to #11 that you find a stand-alone film, Nolan’s Inception.

So what about the folks who are fans of Batman as a comic book character?  Like their movie-fan brethren, The Dark Knight tops the list of movies these guys are likely to admire.  But after that, the list is a bunch of films that, for the most part, you’ll find on or near the AFI top 100: Citizen Kane, Chinatown, Ben-Hur, Amadeus.  Add in a sprinkling of cult classics (The Big Lebowski, The Truman Show, The Princess Bride) and animation milestones (Finding Nemo and Who Framed Roger Rabbit?), plus one more superhero flick—significantly, NOT a Batman movie but Spider-Man 2, for Doc’s money by far the best of the Tobey Maguire trilogy.  This is an impressive bunch of films, with tastes that run both deep and broad. Those tastes may be more refined than the movie fans’, but they’re also less intense. A Batman movie fan is about 7 times more likely than the average ranker to vote up The Dark Knight; the Batman comic-book fans are only about 2.5 times as likely to vote to push The Dark Knight up the lists.

The picture gets clearer once you look at the kinds of TV shows the two fandoms watch.  According to Ranker Insights, Batman movie fans love one show above all others, and that show is… Scrubs.

Wait, what?  Doc did not see that one coming.

But the numbers don’t lie.  If you like movie Batman, you’re almost three times more likely than the average Ranker to call Scrubs one of the better shows of the past 20 years.  Less strongly, the tastes of this group overlap with How I Met Your Mother, Supernatural, procedurals like Law & Order and Criminal Minds, and Sesame StreetSesame Street?  Hmmmm… a picture is starting to come into focus here.

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How about the comic-book fans?  The show they’re most likely to overlap ain’t Scrubs… it’s The Wire.  The rest of the list has the grown-up sensibility of the group’s movie list: Band of Brothers and Justified appear near the top, and the comedies (Arrested Development and It’s Always Sunny…) have a lot more of a TV-MA feel.

How about each fandom’s all-time TV characters?  Batman himself unsurprisingly tops both lists, but after that, the movie fans go for pretty lighthearted icons… Family Guy‘s Peter Griffin, Ron Swanson of Parks & Recreation, Homer Simpson and even Carlton Banks from The Fresh Prince.  The comic fans run in the opposite direction—serious-minded anti-heroes like Tony Soprano, Walter White and Don Draper.  For comic relief, this group turns to Peter Falk’s Columbo and Fred Gwynne’s Herman Munster.

Okay, one group likes Scrubs, Sesame Street, Supernatural, Peter Griffin and Carlton Banks.  The other likes The Wire, Breaking Bad, Mad Men and The Munsters.  What do we draw from this?  The fault line here is age. Doc wonders if the movie-Batman fans have even seen an episode of The Munsters.

You even see it in the overlaps with non-pop culture lists like The Greatest Minds of All Time.  For the movie fans, the top answers are MLK, Abe Lincoln, Mozart and Einstein… in other words, the great minds you learn about in grade school and high school.  The comic book fans line up behind Immanuel Kant, Socrates, Hippocrates, Plato and a bunch of other guys whose work you have to go to college in order to blow off.

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And Doc’s got one more telling fact, not based on cross-referencing any single list, but the range of lists that the fans tend to vote on.  Across all of Ranker, enough movie-Batman fans have voted to create cross-listings with 181 other lists.  The comic book fans have voted enough to be cross-listed with 134 lists.  Of those 134 lists, 38 of them (28%) are lists that, not to put too fine a point on it, rank female celebrities and/or characters on physical attractiveness.  Across the movie fan voting, only 18 lists (10%) have a similar focus.

Doc isn’t sure if the movie fans are more enlightened, or just haven’t hit puberty yet.  In any event, those comic book fans can’t get enough of weighing in on the top animated sex symbols or which actresses cross their legs most spectacularly.

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Doc admits it, he was looking for something to maybe cut against the stereotype of the horny comic-book geek obsessed with women he has no chance at (partly because some of them are fictional), but the data paints a picture that supports it: Older, better educated, with more refined tastes, except for an unmistakable emphasis on completely unattainable fantasy women.

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Meanwhile, the movie generation is young, in the first flush of fandom, relying on the consistency of franchises to point them towards movies they’re gonna like, and then probably going home to finish up their bio homework while watching Scrubs reruns.

So that’s the citizenry of Bat nation this Halloween. As time passes and Ranker absorbs the consensus around Suicide Squad and the character’s continuing evolution in the Affleck Era, its contours will probably shift a little. We’ll keep watching. Until then, Doc is gonna let his freak flag fly and power up the 1966 Adam West/Burt Ward camp classic. POW. THWACK. BYE.

by    in Data

Baby Bomb – Here’s How We Knew Bridget Jones’s Baby Would Tank

Doc is going to be honest here. He was probably never going to buy a ticket for Bridget Jones’s Baby… mostly because Doc believes in restricting oneself to just an apostrophe when a possessive word ends in “s.” But also because the travails of a winsome Anglo-dumpling with a journaling fixation never held much personal appeal.

But movies that Doc doesn’t personally care for make bank all the time, and clearly there were plenty in Hollywood (or at least at Universal Pictures) who were convinced that the franchise’s devoted fanbase would turn out for another spin on the Bridget-go-round. And why not? Over the past couple of years, Sequels That No One Asked For actually have been a pretty safe bet, especially the ones targeting women over 25. My Big Fat Greek Wedding 2 wasn’t the surprise smash of the original, but it more than made its budget back, grossing a respectable $60 million in the U.S. And last year’s Second Best Exotic Marigold Hotel took in over $80 million worldwide, with a little over a third of that total coming from the U.S. With this summer’s sleeper hit Bad Moms proving the strength of the women-over-25 market, and credible critical response, most experts were looking at Bridget Jones’s Baby opening at $15 million, if not higher.

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Of course, the gang here at Ranker are not “most experts.” And accordingly, Doc can say that we had a pretty strong idea that Bridget Jones’s Baby was due for a troubled birth and a sickly, blighted existence on this earth. How’d we know?

Easy. We pulled up Ranker Insights, and dug into the numbers on Bridget Jones’s Diary, the first and best-regarded of Bridget’s misadventures. After all, the fanbase for Bridget Jones’s Diary seems like an obvious—really, the obvious—group for the movie to market to. And we learned all sorts of interesting things, like that it’s the 66th best rainy-day movie, and that Bridget’s stateside popularity is strongest in the southeast, then wanes as you move north and west across the country.

And then we pulled up the list of other films that Bridget Jones fans were most likely to voice their approval of. The first on the list, unsurprisingly, is Bridget Jones: The Edge of Reason, the (widely derided) first sequel to Diary. But how about those next six titles? See if you can spot any pattern…

  • Love Actually
  • Elizabeth
  • About a Boy
  • Notting Hill
  • Sense and Sensibility
  • Four Weddings and a Funeral

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You’re a smart cookie—you see where Doc is going with this, yes? No fewer than five of those six movies feature the harried, boyish stammerings of one Hugh John Mungo Grant. (And in related news: Mungo? MUNGO? Doc swears he isn’t making this stuff up.) Yes, Love Actually additionally features Grant’s Bridget Jones co-star Colin Firth, which probably accounts for its placement at #2 on the list after Edge of Reason. But otherwise, the message is clear as day: Above all others, Bridget Jones fans love, love, love them some Hugh Grant.

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This would be just peachy, except for the tiny, easily-overlooked detail that Hugh Grant decided he wanted no part of Bridget Jones’s Baby, and isn’t in the movie.   Even if you’ve just seen the film’s traditional three-shot poster, you know that the role of “handsome douche” previously filled by Grant is this time assayed by Patrick Dempsey (nee McDreamy). Now Bridget Jones fans don’t seem to have anything especially against Dempsey. On the list of TV shows most liked by Bridget Jones fans, Grey’s Anatomy ranks #9. (It’s still behind Pinky & the Brain and Golden Girls, so go figure.) But there’s no comparison between their mild affection for Dempsey and their deep and abiding passion for Hugh Grant. Their feelings for Grant’s co-stars Renee Zellweger and Colin Firth similarly pale by comparison. After Edge of Reason, the top Zellweger film on the list is Chicago, at #19. Zellweger’s breakthrough film, Jerry Maguire, sits at #532.

Wouldn’t you think that if the Bridget Jones fanbase was really devoted to Renee Zellweger, they’d be more inclined to like Jerry Maguire than, say, The Mighty Ducks or American History X? But no. Apparently, fans of Bridget Jones would rather watch Ed Norton curb-stomp a dude than see Renee Zellweger “complete” Tom Cruise. Good stuff to bear in mind when you’re planning your next at-home double feature.

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And so there was zero astonishment around Ranker HQ when Bridget Jones’s Baby didn’t even crack $9 million in its opening weekend. Doc takes no joy in being right about this stuff. He wants all the movies to do well, what with a rising tide lifting all boats and everything. But when you blow it this big, and this obviously, you deserve to get called on it.

So for future reference, trying to sustain a movie franchise after shedding its fans’ favorite character/actor is a lousy idea. And that’s the only truth Doc has for you this week, baby.